And behold, the worst shall be first, and all the base and discarded of the cinematic universe will draw sustenance from its example. We’re talking about Ed Wood’s Plan 9 from Outer Space, justly celebrated as the worst movie ever made. Creaky sets, terrible acting, a plot that has to be seen to be believed, and the final onscreen appearance of Bela Lugosi (who died and was replaced by chiropractor Tom Mason holding a cape over his head)… all of which made this the stuff of cinematic legend for all the right/wrong reasons. Plan 9 from Outer Space opened today in 1959.
On a much, much, much higher level, we find Seven Brides for Seven Brothers, the seminal 1950s musical about a nice young lady (Jane Powell) who marries a strapping young Oregonian (Howard Keel), only to find out he has a whole passel of sibling mountain men in dire need of caring for. The subtext is appalling, but the songs, performances and terrific choreography can’t be denied. It opened today in 1954.
In celebration of Comic Con this week, we’ll close with a pair of four-color superheroes… though only one of them actually shows up in a superhero film. The other one is Mr. Mom, the 1983 comedy that attempted to address the then-novel notion that women could actually be the breadwinners and men could be the homemakers. The now-quaint notion is bolstered by a funny, sympathetic script, and a winning performance from future Batman Michael Keaton, who scored a huge career boost with the film’s success. It opened today in 1983.
Finally, we have Captain America: The First Avenger, part of the calculated risk undertaken by Marvel Studios that ended up transforming comic book movies as we know them. It’s far from a perfect film: the center section sags a great deal, and at times it feels like it’s too busy setting up The Avengers to generate its own energy. But it cracks the code on how to deliver an interesting hero who’s also morally unimpeachable, thanks in no small part to the terrific turn from Chris Evans as Steve Rogers. Bolstered by a strong supporting cast — particularly Hugo Weaving’s Red Skull and Tommy Lee Jones’ Tommy Lee Jones clone — and the fine period sensibilities of director Joe Johnson, it makes for a winning entry in Marvel’s increasingly impressive movie franchise. (And Alan Menken and David Zippel’s USO theme song is pure bliss.) It opened today in 2011.