Today marks the release of The Spy Who Loved Me, one of the high points of the Roger Moore James Bond era that found him flashing his playboy spy routine to increasingly ridiculous ends. The villain’s a bit of a snoozer, and while Barbara Bach looks great in a slinky dress, she’s still too passive to make the strong impression required from the best Bond girls. On the other hand, Richard Kiel’s Jaws is a hoot and with Moore in fine form as 007’s most carefree incarnation, the film’s still a lot of fun. It opened today in 1977.
When it comes to pop-culture oddities, it’s hard to top The Dead Pool, the fifth and presumably the last of the Dirty Harry franchise. It actually ranks as one of the better ones, with a surprising sense of humor to go along with Clint Eastwood’s thundering political context. But that’s not why it tops the list. It tops the list because it contains one of those truly bizarre pop culture mash-ups that only makes sense in the rear-view mirror. A key scene involves a music video being filmed in a meat locker, whose doomed star pretty much kicks the whole plot off. The rock star was played by a then-unknown Jim Carrey, and the music video director by a then-unknown Liam Neeson. Carrey lip-syncs Axl Rose while Neeson looks on during an Exorcist homage in the middle of a Dirty Harry flick. It has to be seen to be believed. The Dead Pool opened 30 years ago today in 1988.
I’m not going to spend too much time on Ghost, a middling supernatural romance that somehow turned into a massive hit and won Whoopi Goldberg an Oscar. It’s not bad, certainly, but it’s also aged poorly and retains at best a little throwback nostalgia to counteract the general sense that its success owed more to the zeitgeist of the time than the film itself. It opened today in 1990.
The same can’t be said of The Muppets Take Manhattan the last straight-up Muppet Movie to be overseen by Jim Henson before his untimely death. Henson’s longtime partner Frank Oz handled directing duties and the film — which sends the gang to New York in an effort to start up a Broadway play — carries the goofy iconoclastic charm that the Muppets have struggled to find in the wake of Henson’s passing. The Muppets Take Manhattan opened today in 1984.
Finally, I’ll briefly mention The Frisco Kid, a strange and wonderful western about a rabbi (Gene Wilder) travelling across the frontier to San Francisco and the amiable outlaw (Harrison Ford) who helps him on his way. The pairing of those two should be enough to pique your interest, and the film itself is different enough to let its surprisingly sweet tone come through. It opened today in 1979.