thekingandi

Today in Movie History: June 29

We’ll start with The King and I, one of the greatest musicals ever made and the object of eternal gratitude from us bald men for whom Yul Brynner is just the gift that keeps on giving. It opened today in 1956. In case anyone believes that the media was every anything but a gang of scoop-grubbing weasels, Billy Wilder will …

An evil goblin king, played by David Bowie, pictured  here, a talking door knocker, fairies and a colony of goblins will join producer/director Brian Henson and members of the Jim Henson Creature Shop at the Academy of Motion Picture Arts and SciencesÕ 20th anniversary screening and onstage discussion of ÒLabyrinthÓ (1986) on Thursday, July 20, at 8 p.m. at the Samuel Goldwyn Theater in Beverly Hills.

Today in Movie History: June 27

I was going to start this column with the second movie on the list — and if I had to choose, I’d say it was the better film — but I want to pay brief tribute to David Bowie, whose loss is still so acutely felt. Labyrinth began life as just another box office bomb that found its audience on video, and …

Indy

Today in Movie History: June 12

It’s a big day for movie releases today, but there’s no doubt which one leads the list. Action and adventure have been a part of the movies since the Lumiere brothers sent audiences diving for cover with the approach of a moving train. We’ve seen some amazing entries in the genre over the ensuing 120 years, but none of them …

batb_featured

Today in Movie History: November 22

It’s another big day for the movies, starting with a trio of modern classics from the Disney/Pixar brain trust. I have high hopes for the live-action movie coming out next year, but even with Emma Watson in the lead, it’s going to be hard to top the animated version of Beauty and the Beast: hands-down one of the greatest animated …

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Today in Movie History: November 2

Oscar bait tends to do a lot of hand-wringing about social causes, but in the case of Roland Joffe’s The Killing Fields, it’s more than just the musings of limousine liberals. It depicts the fall of Cambodia to the Khmer Rouge and the horror show that followed, bringing the human cost of nationwide slaughter into sharp relief through the intimate relationships …